Internet personality, Celina Powell, isn’t done spilling tea on Offset. On Friday (Jan.9), during an episode of her 2 Girls From Mars podcast, Powell shared a video from a prior FaceTime conversation with the rapper. In the clip, Offset appears to threaten harm to Stefon Diggs. The NFL player has been in a relationship and has a child with the rapper’s estranged wife, Cardi B. “If I catch Buddy and I can catch him, its gone be bad,” he said. While he doesn’t directly call Diggs by name, there’s been speculation online that Diggs is, in fact, the “Buddy” the rapper was referring to. Powell asks if the rapper plans to “beat him up,” to which Offset responds, “beat, strip, shot in the knee, all typa of sh*t.” She also reveals that Offset told her that things between Cardi B and Diggs aren’t what they appear to be. According to Powell’s recollection from the conversation, when Cardi B gave birth to their child, Diggs was only present “a few hours” because there was a hiccup when signing the birth certificate. Powell claims that the Bronx rapper was told that only her husband, Offset, would be able to sign as the father because they were still legally married. Apparently, Diggs became upset, left the facility, and didn’t speak to Cardi for three days. Celina Powell shares phone call of Offset saying he was gonna shoot Stefon Diggs in the knee when he catches him : 2 Girls From Mars Podcast: https://t.co/UrNTKPDqZR pic.twitter.com/Lmjbegyvyd — Block Topickz (formerly Glock Topickz) (@BlockTopickz) January 10, 2026 Celina Powell Shares NSFW Video In Bed With Offset Last week, Celina Powell exposed how Offset spent his New Year’s Day, sharing an NSFW clip of the two in bed on her Instagram account, with the implication that they made a sextape. The clip, posted to her account, shows Powell naked under the covers while Offset sleeps next to her, the room lit by the glow of a hotel television. As the camera moves closer to Offset’s face, Powell flashes her middle finger toward him, then pulls back, letting the visual linger. Powell’s has a long history of controversy involving rappers. The imagery in the clip adds further suspicion that they made a sextape. “Made a tape last night & all u heard was him in the video, lol,” she wrote, adding, “Offset you sleepy boy,” followed by exhausted-face emojis. Powell and Offset have been linked to each other in the past, according to the socialite in previous interviews. By suggesting that “all u heard was him,” Powell implied that the rap star was oversatisfied by the encounter. The tone blended sarcasm, control, and spectacle

On Friday (Jan. 9), an Instagram page, Rockland Records, posted what appears to be a remix of Chris Brown’s “It Depends” track from R.Kelly. Not long after the post circulated, Brown caught wind and offered his thoughts. Chris Brown was quite fond of the track, it seems, dropping fire emojis in the post’s comment section. That said, there’s speculation on whether the track is, in fact, real or artificially generated. On the one hand, in the remixed track, the voice, which appears to be R.Kelly, does address any possible AI allegations. “Yo, this is Kellz, I’m in the feds forreal/This ain’t AI, I’m on this b*tch forreal.” R. Kelly, whose real name is Robert Sylvester Kelly, is currently serving a 30-year sentence in federal prison for racketeering and sex trafficking. Despite dozens of allegations of sexual abuse going back to 1991, the disgraced singer has maintained support from his loyal fans. View this post on Instagram Timbaland, Jazze Pha, And Others Offer Seal Of Approval On R. Kelly’s Remix Brown wasn’t the only entertainer to offer support for Kelly’s remix. Singer and songwriter Sean Garrett also chimed in, commenting with a goat and fire emojis. Famed producer Jazze Pha wrote, “Miss u Brudda!! Praying for my guy!!! #FreeRKelly.” Timbaland also appears to offer his seal of approval on the track, dropping fire emojis in the comment section of another post with Brown’s reaction to the song. In other news, last month, R&B singer Chris Brown shared a laugh with social media as he reacted to a viral dance video to Kehlani’s Grammy-nominated hit “Folded.” The viral clip shows a fan recreating Kehlani’s slow, intimate choreography from the snowy visual. It was complete with dramatic poses and visible shivers as “Folded” plays in the background. The fan captioned the performance with, “You better dance for this,” punctuating it with a kitty-face emoji. Brown watched the video while lounging in bed and quickly turned his reaction into its own viral moment.

Mike Epps is not a fan of Chris Rock. During the January 7 episode of Shannon Sharpe’s Club Shay Shay, Epps revealed his issues with Rock. “You think he ended Shuckey Duckey?” Sharpe asked. “He did. He f**ked Shuckey Duckey’s career up,” Epps responded. “What little career there was.” They were referencing  Rock dissing Ducky’s set on the Def Jam Comedy show. “That n***a (Rock) went on one of their shows and said, ‘Shuckey Duckey needs some jokey wokeys,’” Epps continued. “See, that’s why Will Smith popped that n***a upside his head. I ain’t condoning, but I can see how a n***a would pop him upside his head.” Epps then shared a story when he felt Rock had slighted him. “He said some shit to me one time,” Epps said. “That motherf**ker walked up to me and said, ‘You can’t act rich if you ain’t rich.’ I said, ‘Huh? What the hell?’” Epps said that Rock didn’t understand his persona. “What he didn’t understand was I came from a drug-dealer world, so I always liked a little diamonds,” he explained. “He thinks I’m up there trying to make the people think I got show business money and said that shit to me. I said, ‘Man, I’m rich in a whole lot of ways. Ferret-looking ass n***a.” Epps told Sharpe that he thought the infamous slap was a stunt until Smith returned to his seat and yelled at Rock. “I knew it was real when I seen Will Smith’s face when he sat down,” Epps recalled, “When he said, ‘Keep my wife’s name [out of your fucking mouth]!” Epps said he would’ve slapped Rock over the joke behind the scenes. “I wouldn’t have done it in front of anybody. Not in front of the white people because it’s gonna fuck your money up and my money up,” he said. “As soon as the white people see you violent, they’re done. Epps also said that he never tried to squash the beef with Rock because he doesn’t have “a relationship with him.” “I don’t think he gets me, and I don’t get him,” he said. “Do I think he’s funny? Yeah. I think he’s funny as hell. But personality-wise, I’ve never met enough to know how cool he is. I really don’t know him, and he don’t know me like that.” View this post on Instagram

Lil Durk’s ongoing federal murder-for-hire case hit a key legal milestone this week after a judge rejected his attorneys’ motion to dismiss the charges. The defense argued that prosecutors failed to disclose alleged death threats against judicial officials involved in earlier bail hearings. The court disagreed, keeping the high-profile case on track amid continued pretrial proceedings. At a recent hearing, U.S. District Judge Michael Fitzgerald dismissed the motion decisively. As reported by journalist Meghann Cuniff, Fitzgerald said, “There is just absolutely no basis for this motion. Just none. Absolutely none.” The defense had cited threats made in February against U.S. Magistrate Judge Patricia Donahue and in April against Assistant U.S. Attorney Ian Yanniello. They claimed the failure to disclose the threats could have influenced bail considerations. The defense’s request went further, seeking an evidentiary hearing and the recusal of both the prosecutors handling the case and all Central District judges in California. Lawyers alleged the government had withheld information that might affect pretrial decisions. Prosecutors, however, maintained that Durk’s team was notified of the threats in October and rejected the defense’s claims. Yanniello described the assertions as “factually inaccurate.” Judge Fitzgerald ultimately upheld the original bail ruling. Durk’s 2022 Shooting Case Set to Rock Hip-Hop Durk faces serious charges stemming from a 2022 shooting in Los Angeles targeting rapper Quando Rondo, in which Rondo was injured and his cousin, Lul Pab, was killed. Arrested in October 2024, Durk could face life imprisonment if convicted. His trial is tentatively scheduled to begin in late April 2026, depending on final judicial assignment. As the case progresses, all eyes remain on the courtroom, where the outcomes will carry significant consequences for Durk and the wider hip-hop community. The unfolding proceedings highlight both the legal complexities and high stakes of this headline-grabbing case.

Jay-Z, a defining figure in hip-hop and global culture, continues to turn heads with his impeccable taste in luxury. His latest acquisition—a Patek Philippe Quadruple Grand Complication Ref. 5308G-001—cements his position as one of the most sophisticated collectors among musicians and billionaires alike. With its icy blue dial and white gold casing, the watch not only enhances his collection but also signals Jay-Z’s enduring pursuit of refinement and style. According to Complex, the timepiece is believed to be the first of its kind to arrive in the United States, carrying a valuation of roughly $2.5 million. Its design, free of diamonds, relies on subtle elegance and technical mastery to make an impression. A deep blue alligator strap complements the dial perfectly, offering versatility that suits both formal occasions and casual outings. Yet in Jay-Z’s world, even informal moments become opportunities for sartorial distinction. Industry Connections and Podcast Ventures While the watch draws attention, it is only one facet of Jay-Z’s multi-dimensional career. He was recently seen meeting with Fat Joe, who, along with Jadakiss, is preparing to launch a new Netflix podcast. Discussions reportedly included the possibility of an interview with the elusive artist, though Jay-Z remains selective about media appearances. Jadakiss spoke candidly about the challenge: “You know my n** Hov is a professional curver. He gave us props, told us he’s tuning in. ‘Y’all should have no guests [on] the show, I like when it’s you and ‘Kiss,’”** emphasizing both the difficulty and the rapport they share. Fat Joe offered a hint of optimism: “I can’t lie, Hov gave us a hint. He says he loves our show the most when it’s just us,” leaving the door open for a potential future interview. The podcast, part of a broader iHeartMedia initiative, does not yet have a confirmed premiere date. From rare luxury watches to selective industry collaborations, Jay-Z continues to define the intersection of influence, artistry, and personal taste. Whether showcasing a $2.5 million timepiece or navigating opportunities in the music world, he maintains his reputation as a trendsetter whose every move is closely observed by fans and peers alike.

Boosie Badazz reached a decisive legal moment this month as a long-running federal firearms case officially concluded in a San Diego courtroom. A judge sentenced the rapper to time already served, ordered him to pay a $50,000 fine, and mandated 300 hours of community service. The ruling closes a chapter that once carried the possibility of extended prison time. For Boosie, it marks a shift from legal survival to forward planning. The sentence was handed down after Boosie appeared in court on January 9, following his guilty plea to possessing a firearm as a convicted felon. Federal prosecutors had sought a 24-month prison term and three years of supervised release. The court declined to impose additional incarceration. Instead, the outcome leaves Boosie free to move on without returning to custody. With the Case Closed, Boosie Turns the Page The case traced back to a 2023 traffic stop in San Diego that escalated after officers recovered multiple firearms from his vehicle. The encounter began after law enforcement observed a handgun during an Instagram Live broadcast. While local authorities initially handled the matter, federal prosecutors later refiled the case. A plea agreement reached last August laid the groundwork for the final resolution. With the legal proceedings now behind him, Boosie enters a period defined by possibility rather than uncertainty. The decision lifts a burden that had followed him for years, both publicly and privately. Industry watchers are paying close attention to how he navigates the moment. For now, the courtroom doors have closed, and the next chapter is his to write.

A long-simmering feud between 50 Cent and Sean “Diddy” Combs took on renewed life after President Donald Trump confirmed he would not consider clemency for the Bad Boy Records founder. The revelation, disclosed during a wide-ranging interview, reintroduced Combs’ legal efforts into public view. For 50 Cent, the moment appeared to offer both validation and opportunity. He responded with characteristic speed. Trump acknowledged to The New York Times that Diddy had reached out through a formal written request seeking a pardon. The former president said he was aware of the letter but had no intention of acting on it. The exchange, later reported by Variety and others, marked the first on-the-record confirmation of the appeal. 50 Cent seized on the news almost immediately. Posting on Instagram, he wrote, “What part of no don’t you understand?” He followed by referencing Diddy’s past public criticism of Trump, suggesting those remarks made clemency unrealistic. The response aligned with a familiar pattern—using humor and provocation to shape the narrative online. Politics Rekindle a Public Feud The rapper has revisited the issue before. When Trump acknowledged a prior inquiry about a potential pardon in October 2025, 50 Cent resurfaced video clips of Diddy criticizing Trump after the 2020 election. Alongside the footage, he wrote, “Man you can’t get no pardon running ya mouth like that! LOL Get out of here.” Trump had previously described a more cordial relationship with Diddy before politics intervened. By August 2025, he said that dynamic had shifted as Diddy became increasingly vocal during Trump’s campaign years. As legal stakes, celebrity, and personal history continue to intersect, 50 Cent shows no signs of stepping back—choosing instead to keep the rivalry squarely in the public eye.

Serena Williams is once again facing unfair scrutiny online — and this time, her husband isn’t letting it slide. After the tennis legend shared family photos from a recent wedding celebration, a social media user accused Serena of bleaching her skin, claiming she appeared lighter in the images. The comment quickly sparked backlash from fans. Stepping in to defend his wife, Alexis Ohanian fired back at the accusation. Ohanian shut down the claim, reminding critics that lighting and camera exposure can dramatically affect skin tone in photos. He also made it clear that the accusation was not only incorrect but rooted in ignorance. Many fans praised Ohanian for standing up for Serena and calling out the baseless commentary. Supporters echoed his sentiments, emphasizing that Black women are often subjected to unnecessary and harmful speculation about their appearance. This isn’t the first time Serena Williams has dealt with similar rumors. In the past, she has addressed the topic directly, stating that she does not bleach her skin and that she fully embraces who she is. Serena has also spoken openly about how lighting, makeup, and filters can change how people look in photos — especially under professional or event lighting.

Don Montana and Don Snow reunite for their first collaboration project since 2019. NEW YORK, NEW YORK – JANUARY 06: Max B and French Montana attend the French Montana And Max B “Coke Wave 3.5: Narcos” Listening Party on January 06, 2026 in New York City. (Photo by Johnny Nunez/WireImage) French Montana and Max B released their highly-anticipated joint project, Coke Wave 3.5: Narcos on January 9. The 22-song offering features Montana’s long-time producer, Harry Fraud, Metro Boomin and the late Chinx. Prior to Friday’s release, the duo dropped “Make America Wavy Again (MAWA)” back in December, giving fans a preview of what Narcos had in store. “2026 COKE WAVY SEASON BACK IN EFFECT,” the caption read in their joint Instagram post. The two uptown New Yorkers hosted their project release party on Tuesday at Soho House, where they previewed and performed songs such as the aforementioned “MAWA,” “Whipping That Wave,” the dance track, “Ever Since U Left Me” and more. View this post on Instagram When asked by HOT 97 if they have more music on the way, the duo confidently confirmed. “You’re talking to two n***as that own an armory,” said Max B. “We got another tape on the way,” added Montana. Biggaveli says that there’s no rush for any releases. Instead, he wants to give time for fans to enjoy each project. “I’m gonna let that (Coke Wave 3.5: Narcos) marinate and then I’m gonna drop Million Dollar Baby 4 on y’all,” he added. “You’re getting Million Dollar Baby 4 after the Coke Wave.” Montana and Biggaveli dropped their first collaborative mixtape, Coke Wave, back in 2009. Max B was released from prison in November 2025 after serving 18 years for murder conspiracy and robbery. Ever since his release, he’s been ripping and running in preparation to bring the waviest energy back to New York City.

Music mogul Russell Simmons has renewed his public dispute with HBO, issuing a blunt financial demand tied to the network’s 2020 documentary Off the Record in a January 8 post on Threads. Simmons shared the message alongside an AI-generated image depicting himself surrounded by falling cash. The visual underscored the scale of his claim, which he framed as restitution rather than profit. “HBO you owe me 100s of millions of dollars,” Simmons wrote. “I need my bread, for all my charities and family members, specifically my children.” He positioned the money as compensation for harm, linking the demand to both philanthropic work and family responsibility. His post quickly escalated in tone. “You know what you did was horrific and malicious,” Simmons added, accusing HBO of deliberate misconduct. The language suggested intent, not negligence, raising the stakes of the dispute beyond criticism of editorial judgment. Simmons went on to challenge the network’s credibility and transparency. “You can’t hide,” he wrote, encouraging readers to “ask Oprah or anyone whose ever looked at the evidence.” The reference to Oprah Winfrey, who exited the project before its release, served to reinforce Simmons’ claim that material information was excluded. Russell Simmons Wants $100Ms From HBO Over Off The Record The mogul further grounded his argument in legal terms. He alleged that HBO “intentionally suppressed all of it,” adding that the evidence is “Available in suit.” The phrasing pointed to ongoing or potential litigation and signaled that his accusations extend beyond social media commentary. Simmons concluded with a direct demand. “I want apology and 100million,” he wrote, followed by apple and pill emojis and the phrase “time to pay.” The closing line framed the dispute as overdue accountability rather than negotiation. Off the Record documented sexual misconduct allegations against Simmons, which he has repeatedly denied. Since the film’s release, he has criticized its conclusions and accused the filmmakers and network of bias and omission. The Threads post represents a renewed escalation in that conflict, blending legal threats with public messaging. HBO has not responded publicly to Simmons’ latest remarks. Whether the network addresses the demand remains to be seen, but Simmons has made clear he intends to keep the matter in the public eye.