​Shirley Raines, the visionary founder of the nonprofit Beauty 2 The Streetz, has passed away. She was 58. ​According to TMZ, Raines was found unresponsive next to her bed in her Henderson home during a wellness check on Tuesday night. ​Beauty 2 The Streetz, a nonprofit organization that provides makeovers to unhoused women, confirmed her passing in a statement. ​Ms. Shirley dedicated her life to serving others and made an immeasurable impact on homeless communities throughout Los Angeles and Nevada. Through her tireless advocacy, deep compassion, and unwavering commitment, she used her powerful media platform to amplify the voices of those in need and to bring dignity, resources, and hope to some of the most underserved populations,” the statement read. ​”We humbly ask that you keep Ms. Shirley’s family, loved ones, and the Beauty 2 The Streetz family in your prayers during this incredibly difficult time,” the statement continued. “Further information will be shared as it becomes available.” ​A cause of death was not released. View this post on Instagram ​A resident of Long Beach, Ms. Shirley offered beauty services, food, showers, and more to the homeless people of Skid Row through her nonprofit. How Raines Found Her Calling ​After the loss of a child, Raines began feeding homeless people, which eventually led to the launch of her own nonprofit. ​“The reality of Skid Row is that it took a long time to earn that trust. I’m asking someone to close their eyes, lay their head back, and be vulnerable,” Raines told ABC7 in a 2019 interview. “It took years of coming back every single Saturday.” “Of course, makeup is not going to take them off the streets. But it’s a small escape from this terrible reality they’re living in,” Raines said. “They look in the mirror and see something other than homelessness. It just brings them back to who they were.” ​Although she worked a full-time job and had six children,  she cooked meals for 400-600 people every week in her one-bedroom apartment. ​”Monday through Friday, someone is saying ‘Get out of the way, you bum,” Raines said. “On Saturday, someone is saying, ‘You’re important. You’re special.’” ​For her work, Raines was named the 2021 CNN Hero of the Year. In 2025, she won the NAACP Social Media Personality award.

GloRilla’s acting days in Memphis before the Grammy-nominated fame resurfaced across social media on Wednesday (Jan. 28) with a clip, including a sex scene, of the chart-topping rap star appearing in a Tubi indie film, titled Streets Ain’t For Everybody. The clip quickly gained views and mixed reactions. Gorilla Gettin Cracked In A Tubi Movie Before The Fame pic.twitter.com/cLMpKstb5N — King Roy (@RoyIsThaTruth) January 28, 2026 The Tubi film is a drama that follows a family as they navigate the streets of Memphis and its variety of money-motivated opportunists. GloRilla, real name Gloria Woods, appears in the clip as an ambitious woman, eager to get involved with the hustle. GloRilla achieved fame in 2022 with the viral debut single “F.N.F.” Her career includes collaborations with Cardi B, Latto, and Summer Walker. She’s received co-signs from Jelly Roll, Rihanna, and Beyoncé. The sex scene draws viral commentary for Glo’s hilarious lines and comedic actions while abruptly taking a phone call during a sexual encounter. The scene ends with GloRilla clowning her male co-star and his sexual performance with signature Memphis comedy. Early GloRilla’s Memphis Tubi Sex Scene Resurfaced Social media’s commentary included mentions of GloRilla’s boyfriend and NBA star Brandon Ingram, her rise to fame, and, of course, Memphis-related jokes. “She really over here taking back shots and drops tha nigga for a phone call!!,” tweets a fan in the clip’s comment section. Addressing the resurface clip, another fan tweeted, “Whoever found this and released this is her biggest hater.” For those bashing the rapper for her pre-fame role, fans rallied behind her on social media with enlightenment. One fan tweeted, “Everybody hating on @GloTheofficial is foolish and this is why they don’t get anywhere because they’re not willing to drop their guard and ego as if in they’re millionaires already or even have a chance to live their dream.” Fans also respected pre-fame hustle, among the jokes. “Before the bag, there was the hustle. Respect her grind,” an X user tweeted. Another user concurred, tweeting, “Nothing wrong with humble beginnings, it makes the glow-up better.” GloRilla is currently preparing for this week’s Grammy Awards, for which she is nominated for Best Rap Album and Best Rap Song. She is also developing her upcoming album, currently untitled. The album is an anticipated R&B album. Streets Ain’t For Everybody is currently unavailable on Tubi. GloRilla, her management, or publicity has not commented on the resurfaced scene.

Boxing superstar Gervonta “Tank” Davis was arrested Wednesday in South Florida on felony charges tied to an alleged domestic violence incident that authorities say occurred last year. View this post on Instagram Miami Gardens Police confirmed that the 31-year-old undefeated boxer was taken into custody without incident in Miami’s Design District. The arrest was carried out by the department’s Special Investigations Unit with assistance from the U.S. Marshals Service fugitive task force. Prosecutors have charged Davis with battery, false imprisonment, and attempted kidnapping. The charges stem from an alleged incident on Oct. 27 at a gentlemen’s club in Miami Gardens, where the complainant was employed. Law enforcement officials declined to identify the woman or the business, citing safety concerns. According to police reports, Davis allegedly confronted the woman inside the venue and became physically aggressive. Investigators allege he grabbed her by the back of the head with one hand while placing his other hand around her throat. Police say he then forced her toward a nearby parking garage. Gervonta “Tank” Davis Arrested By U.S. Marshals In Miami’s Design District Authorities said Davis later released the woman, who ran to coworkers for assistance. Officers documented bruising on her left arm following the incident. Investigators said the woman and Davis had known each other since 2022 and were previously in an intimate relationship. Police stated that the relationship ended approximately one month before the alleged assault. Surveillance footage reviewed by detectives corroborates the woman’s account, according to police. Based on that evidence, a judge issued an arrest warrant for Davis earlier this month. In a public statement, Miami Gardens Police emphasized their enforcement approach. “The Miami Gardens Police Department remains committed to protecting victims, holding offenders accountable, and ensuring the safety of our community,” the department said. The arrest marks the latest in a series of legal issues for Davis involving domestic violence allegations. In July, authorities accused him of striking the mother of his children during a separate incident. He was also arrested in Broward County in 2022 on another domestic violence charge. Davis previously faced charges in Coral Gables related to a 2020 incident involving a former girlfriend. Those charges were later dropped. Davis is a reigning boxing star with multiple world titles. Prosecutors have not yet announced a court date in the current case.

The Isley Brothers, one of the most enduring and influential groups in soul music, received a long-awaited honor this week with the unveiling of their star on the Hollywood Walk of Fame. On Wednesday morning (Jan. 28), Ronald “Ronnie” Isley and Ernie Isley were present as the group received the 2,834th star on Hollywood Boulevard, marking more than 70 years of musical innovation. The ceremony celebrated a career that has bridged gospel, soul, R&B, funk, rock, and hip-hop, while influencing generations of artists across genres. KTLA 5 entertainment anchor Melvin Robert emceed the event. Sony Music Publishing chairman and CEO Jon Platt spoke about the group’s songwriting legacy and business impact. Producer and songwriter Terry Lewis highlighted the Isleys’ role in shaping modern Black music, calling their catalog foundational. Formed in Cincinnati in 1954, The Isley Brothers began as a gospel trio featuring O’Kelly Isley Jr., Rudolph Isley, and Ronald Isley. Their path shifted after the 1955 death of younger brother Vernon Isley. By the late 1950s, the group relocated to New York and moved toward secular music, a decision that changed their trajectory. The Isley Brothers Awarded Star On Hollywood Walk of Fame That shift led to their 1959 breakthrough, “Shout,” a call-and-response anthem that became a cultural touchstone. The song’s influence stretched across rock and pop, shaping live performance traditions for decades. The group soared through the 1970s and early 1980s with albums including “3 + 3,” “The Heat Is On,” and “Between the Sheets.” “The Heat Is On” topped the Billboard 200, while “Between the Sheets” later became a cornerstone of hip-hop sampling culture. After the group’s expanded lineup disbanded in 1983, Ronald and Ernie Isley carried the name forward. Albums such as “Mission to Please,” “Eternal,” and “Body Kiss” introduced the Isleys to a new generation, driven by hits like “Contagious.” With more than 18 million records sold in the U.S. and charting hits across six decades, the Isley Brothers’ star cements a legacy defined by resilience, reinvention, and lasting cultural power.

It appears that late rapper Juice WRLD’s music has sprung a leak ahead of the upcoming deluxe version of his posthumous album, The Party Never Ends. XXL broke the news on Tuesday (January 27), revealing that the leak occurred last week. The tracks surfaced on January 24, just weeks before the planned release of The Party Never Ends (Deluxe). View this post on Instagram The leak reportedly includes songs such as “Lost My Mind,” “Time,” “Bel-Air,” “Chasing the Dragon,” “Compromise,” and “Pokémon.” Within hours, the files circulated across fan forums, social media timelines, and private servers. Juice WRLD fans shared mixed reactions to the leaks. “So many JuiceWRLD songs leaking this year,” one fan wrote on X. “This feels like the old days.” Another added, “Thirty Juice WRLD leaks just dropped, including Lost My Mind. This doesn’t feel real.” Juice WRLD suffered leaks frequently before he passed away in 2019. The Chicago artist often spoke openly about the issue while alive. Months before his death, he issued a blunt warning online aimed at those sharing his music without permission. The message reflected both frustration and exhaustion. Juice WRLD’s The Party Never Ends (Deluxe) Springs A Big Leak In 2021, fans organized a Discord group buy to obtain unreleased recordings, drawing sharp criticism from those responsible for protecting his work. The rapper’s music continues to draw millions on streaming platforms. By 2022, the problem reached a breaking point. Grade A Productions founder Lil Bibby publicly questioned whether The Party Never Ends would ever see release. He argued that leaks damaged plans and disrupted the album’s intent. Still, the album arrived in November 2024, offering another glimpse into Juice WRLD’s emotional depth and melodic range. A deluxe edition is expected later this year. Juice WRLD recorded thousands of songs during his short life, leaving behind a massive archive. That volume fuels devotion and vulnerability in equal measure. For fans, the music brings comfort. Yet it also raises questions about consent, stewardship, and respect. As anticipation builds for The Party Never Ends (Deluxe), the latest leak highlights an unresolved tension. Juice WRLD’s team has not commented on the leaked material at this time.

Nicki Minaj flexes her “Gold Card” after spending the day at the Oval Office. WASHINGTON, DC – JANUARY 28: Musician Nicki Minaj (L) joins U.S. President Donald Trump on stage as he delivers remarks during the Treasury Department’s Trump Accounts Summit at Andrew W. Mellon Auditorium on January 28, 2026 in Washington, DC. “Trump Accounts” are a portion of recently passed tax and spending legislation where the federal government will deposit $1,000 into investment accounts for every child born between 2025 and 2028 once parents sign their children up while filing their income taxes. (Photo by Win McNamee/Getty Images) (Photo by Win McNamee/Getty Images) Twitter: @nickiminaj On Wednesday, the Queen rap icon took to X to post President Donald Trump’s controversial “Gold Card.” The card is a a luxury pathway to fast-tracked U.S. citizenship that reportedly requires “a $1 million gift upon completion of the individual’s vetting is evidence that the individual will substantially benefit the United States. An individual may also need to pay small, additional fees to the U.S. Department of State depending on his or her circumstances.” To apply, the applicant must first “pay a nonrefundable, $15,000 DHS processing fee,” per the Trump Gold Card website. Minaj took to twitter to flex her new gold card, with the caption, “Welp.” She later clarified those who perceived the card to signify her residence. “Finalizing that citizenship paperwork as we speak as per MY wonderful, gracious, charming President,” said the “Starship” rapper. “Gold Trump card free of charge.” Welp… pic.twitter.com/c5v8ztVVLR — Nicki Minaj (@NICKIMINAJ) January 28, 2026 Residency? Residency? The cope is coping. Finalizing that citizenship paperwork as we speak as per MY wonderful, gracious, charming President. Thanks to the petition. I wouldn’t have done it without you. Oh CitizenNIKA you are thee moment Gold Trump card free of charge pic.twitter.com/jc1vIxx6pz — Nicki Minaj (@NICKIMINAJ) January 29, 2026 The post came just hours after Minaj appeared alongside Trump during a summit to promote his new initiative, “Trump Accounts.” The program is designed to create tax-advantaged investment accounts for U.S. citizens under 18. The New York Post reports that her contributions could mean investments between $150,000 and $300,000 to her fans to help set up baby “Barbz” accounts. During the event, Minaj went as far as calling herself “probably the president’s number one fan.” Nicki Minaj on Trump: “I am probably the president’s number one fan — and that’s not going to change.” pic.twitter.com/v3hk0S2rkQ — philip lewis (@Phil_Lewis_) January 28, 2026 Prior to the gold card, Minaj was a legal permanent resident, who moved to the U.S. from Trinidad and Tobago as a child. Despite being one of the highest-taxpaying artists in music, she revealed in 2024 that she is not a U.S. citizen.

50 Cent has once again leaned into provocation, this time directing his attention toward Christian “King” Combs amid a serious legal backdrop involving the Bad Boy heir. In a recent Instagram post, the rapper shared an image of a man using a prison phone, paired with a joke that quickly circulated online: “My son said after his song blows up he’s going to bail me out of jail.” The post appeared lighthearted on its surface, but it set the stage for a sharper follow-up. As with much of 50 Cent’s online commentary, the humor carried an unmistakable edge. That edge became explicit when he addressed Christian directly in a subsequent caption. “Come on Christian you can do better than that man. LOL No seriously how is your case going, the one when you drugged shorty on the boat?” The remark immediately drew attention, not only for its tone but for its reference to an active civil lawsuit. Within minutes, social media users connected the comment to allegations that have shadowed the Combs family in recent months. The lawsuit centers on an alleged incident from December 2022 aboard a luxury yacht chartered by Sean “Diddy” Combs in St. Martin. A former female employee claims she was assaulted by Christian Combs after being drugged and subjected to unwanted sexual advances. The filing also names Diddy, citing questions of responsibility tied to the vessel and its staff rather than accusing him of direct involvement. Both defendants have denied all allegations. Christian Combs and 50 Cent’s Feud Spills From Court to Social Media Christian Combs’ attorney, Aaron Dyer, has dismissed the lawsuit as meritless and overblown. He has accused opposing counsel, Tyrone Blackburn, of pursuing publicity rather than justice and has said the legal team intends to seek dismissal. Diddy’s representatives have echoed that position, framing the claims as an attempt to stretch liability without factual support. The case remains ongoing. Beyond the courtroom, the dispute has unfolded publicly through a growing war of words. 50 Cent has repeatedly mocked Christian online, including poking fun at a live performance where chants of “Bad Boy” failed to energize the crowd. Christian fired back on social media, writing, “The real reason why this senior citizen Curtis is angry and keeps posting me is cuz his BM .” The exchange added a personal layer to what had already become a highly visible feud. The tension follows the release of Sean Combs: The Reckoning, a Netflix documentary series produced by 50 Cent that examines allegations surrounding Diddy’s career and personal life. In response, Christian Combs and his brother Justin have said they plan to produce their own documentary to present their family’s perspective.

Bill Cosby has offered startling new testimony regarding his past actions. In a deposition tied to a lawsuit filed by Donna Motsinger, who alleges she was raped by Cosby in the 1970s, he admitted to repeatedly refilling prescriptions for Quaaludes. Cosby said he obtained the drugs with the intention of giving them to women during sexual encounters. However, he insisted he never personally consumed them. His statements deepen the scrutiny surrounding decades-old allegations and raise fresh questions about his conduct. Cosby revealed that he received quaaludes from Dr. Leroy Amar, a gynecologist, during a poker game at his Los Angeles home prior to 1972. The circumstances have drawn criticism, given the ethical concerns surrounding such a prescription. Dr. Amar, later described as “disgraced,” had his medical license revoked in California in 1979. This further clouds the legitimacy of the prescription. This unusual context highlights the troubling environment in which these events allegedly occurred. Allegations from Donna Motsinger Motsinger’s account paints a harrowing picture. In her lawsuit, she claims that Cosby drugged her while she worked at the Trident restaurant in Sausalito, California. She recounts being offered a pill he insisted was an aspirin. She says she became disoriented and drifted in and out of consciousness. She says she awoke at her residence partially clothed, an experience central to her legal claims. Cosby is seeking to dismiss Motsinger’s lawsuit, but she remains determined to see her case through. Court documents indicate the quaaludes involved were round and white, details that reinforce her account. As the proceedings move forward, both sides are preparing to present their evidence and arguments. The spotlight is on how the court will navigate decades-old allegations.

Clayton Howard, a former sex worker, has filed a lawsuit disputing how his story was presented in the Netflix docuseries Sean Combs: The Reckoning, produced by Curtis “50 Cent” Jackson. Since its release last month, the series has drawn sustained attention for its interviews with people connected to Sean “Diddy” Combs. It has also featured others who say they were harmed by him. Howard, who appears in the documentary, now says the finished project reshaped his account in ways he neither expected nor consented to. He argues that the edit left viewers with a version of events that no longer reflected his lived experience. According to court filings reviewed by Billboard, Howard claims his testimony was selectively altered to recast Cassie Ventura—whom he identifies as his primary trafficker—in a sympathetic role. In the lawsuit, he states, “The defendants deliberately edited, distorted, and misrepresented plaintiff’s account to present Cassie Ventura as a victim while omitting critical evidence of plaintiff’s sex trafficking by Ventura. This misrepresentation has severely tarnished my reputation.” Howard contends that crucial context was removed, changing the meaning of what he shared on camera. Moreover, he maintains that the resulting portrayal misled audiences and damaged his credibility. The complaint goes further, alleging that the editorial choices served interests beyond storytelling. Howard argues that the depiction advanced Jackson’s long-running conflict with Diddy while protecting someone he accuses of trafficking for commercial benefit. He says his account was sidelined in favor of a cleaner narrative that better fit the series’ larger arc. In his telling, the edits were strategic rather than incidental. A legal battle that challenges who controls the narrative As part of the lawsuit, Howard is asking Netflix to issue a disclaimer alerting viewers that the series may contain edited material that does not fully represent the underlying testimony. He is also seeking damages tied to reputational, emotional, and financial harm. As of now, neither Netflix nor 50 Cent has responded publicly to the filing. The case remains active. Howard’s claims build on an earlier lawsuit filed in July, in which he accused both Ventura and Diddy of participating in his sex trafficking. That complaint includes allegations of emotional distress, economic loss, and physical harm, including claims involving an STD and a terminated pregnancy. A judge has allowed Howard to pursue alternative methods of serving Ventura after standard attempts proved unsuccessful. Together, the filings add another layer of legal scrutiny to an already contested public narrative. The dispute arrives amid renewed debate over authorship and accountability in high-profile documentary filmmaking. As Howard seeks to reclaim control of his story, the case raises familiar questions about power, profit, and representation in true crime and celebrity media. Ultimately, how the lawsuit unfolds may help clarify where editorial discretion ends—and responsibility begins—when real lives are shaped for a streaming audience.

Kanye West resurfaced this week with an announcement that blends new music with public reflection. The artist revealed that his upcoming album, Bully, will be released on March 20. This ends speculation around its delayed arrival. According to Rolling Stone, the project will be distributed through the independent label Gamma. It will not arrive earlier as previously rumored. The timing places West back at the center of cultural conversation, both musically and personally. Those familiar with the album say Bully grapples with themes including “remorse, memory, ego, faith, and consequence.” West has stressed that the record is not designed as an apology or a bid for rehabilitation. Instead, it is presented as an unfiltered look at his internal battles, shaped by experience rather than explanation. The album, by his framing, documents a process rather than offering resolution. BULLY 3/20/26https://t.co/VRc8CimxyL — Joseph Karre (@JosephKarre) January 28, 2026 A Moment of Public Reflection The album news follows a written apology West directed to the Jewish community in a recent essay published by The Wall Street Journal. In the piece, he asked for “patience and understanding” while acknowledging the harm caused by his past remarks and actions. He tied much of that period to longstanding mental health struggles. This offers context without attempting to excuse his behavior. The statement stood out for its directness and restraint. West traced part of his personal unraveling to a 2002 car accident that resulted in neurological damage. “I lost touch with reality,” he wrote, describing how unresolved issues intensified over time. “I said and did things I deeply regret. I treated some of the people I love the most poorly,” he added, reflecting on the personal toll of that period. Looking back, he concluded, “In hindsight, I became disconnected from my authentic self.” He also addressed decisions that fueled public backlash, including embracing “the most destructive symbol I could find” and selling merchandise bearing offensive imagery. “Living with bipolar type-1,” West explained, “includes moments of disconnection—many of which I still cannot remember—that result in poor judgment and reckless behavior that often feels surreal.” He continued, “I am profoundly ashamed of my actions during that period; I pledge to take responsibility for my behavior and seek meaningful change.” West ended the essay with a clear statement of intent: “While none of this justifies what I’ve done, I want to make it clear—I am not a Nazi or an antisemite. I love Jewish people.”