Kendrick Lamar just opened his mouth and ascended over Jay-Z on Sunday evening (February 1) at the 68th Grammy Awards to become the rapper with the most Grammy wins ever. Lamar entered the awards trailing Jay-Z, who has 25 wins. Four victories later, the Compton rap star ended the evening with a total of 26, setting a new standard for rap excellence on music’s biggest stage. Lamar led the nominations with 9. Lamar’s sweep showcased his range and staying power. He won Best Rap Album for GNX, reaffirming his reputation as a meticulous album artist. “tv off” earned Best Rap Song, while “luther,” his collaboration with SZA, took Best Melodic Rap Performance. He also claimed Best Rap Performance for his feature on “Chains & Whips.” The wins highlighted his command as a lyricist, collaborator, and performer in one evening. The moment carried significance beyond the numbers. Lamar arrived with nine nominations, opening the door to additional history. Kendrick Lamar Oversteps Jay-Z As The Rapper With The Most Grammy Wins After The 68th Grammy Awards A win for Album of the Year would have made him the first solo male rapper to claim the honor. That award instead went to Bad Bunny, whose Debí Tirar Más Fotos became the first all-Spanish-language album to win the category, marking a landmark moment of its own. Other records briefly came into focus. Lamar had a path toward matching the record for most Grammys won in a single night, eight, held by Michael Jackson and Santana. That possibility ended when Best Pop Duo/Group Performance went to another artist. The ceiling remained. Still, the night shifted the conversation. What continues to define Lamar’s career is consistency. He has earned at least one Grammy in three of the past four years. Five of his wins came in 2025 alone. His approach favors intention over urgency, with releases that arrive on his terms and ripple through culture. Hip-hop has long debated greatness across generations and styles. At the 68th Grammy Awards, the numbers delivered a clear message. Kendrick Lamar did more than pass Jay-Z. He widened the space between achievement and legacy, reinforcing his place in music history.

Don Lemon is breaking his silence after being arrested on federal charges for his alleged involvement in a Minnesota church protest he was reporting on. Earlier this week, Don Lemon was released from federal custody on his own recognizance. As he stood on the courthouse steps, the former CNN anchor thanked his supporters. “It really, it truly means the world to me,” he said. Lemon noted that he’s spent his “entire career covering the news,” and has no plans on slowing down. He continued: “I will not stop now. In fact, there is no more important time than right now.” It’s been reported that Lemon was arrested while covering a Grammy Awards event. Lemon confirmed this was true, saying, “Last night, the DOJ sent a team of federal agents to arrest me in the middle of the night for something I’ve been doing for the last 30 years, which is covering the news,” Lemon said. LOS ANGELES, CALIFORNIA – JANUARY 30: Journalist Don Lemon looks on after issuing a statement to media outside federal court on January 30, 2026 in Los Angeles, California. Lemon was arrested in Beverly Hills in connection to a protest he had covered at a Minnesota church. He was released without bail and is scheduled to appear in federal court in Minneapolis on February 9th. (Photo by Mario Tama/Getty Images) “I will not be silenced,” Lemon Says He added, “The First Amendment protects that work for me and for countless other journalists. I stand with them, and I will not be silenced. I look forward to my day in court.” Lemon’s reporting didn’t just land him in hot water with the DOJ, but also with rapper Nicki Minaj. A few weeks back, protestors stormed a Minnesota church after it was revealed that its pastor had alleged ties to the federal agency. Don Lemon, who had been reporting via his livestream, confronted that pastor about his connections to the group. Not long after the clip began to circulate online, it somehow reached Nicki Minaj’s timeline, and she slammed the long-time journalist. Minaj called Lemon a disgusting “c*cksucker” and demanded he be thrown in jail. “DON ‘COCK SUCKIN’ LEMON IS DISGUSTING. HOW DARE YOU?” she wrote in an X post. I WANT THAT THUG IN JAIL!!!!! HE WOULD NEVER DO THAT TO ANY OTHER RELIGION. LOCK HIM UP!!!!!” 

“I assumed I was going to die,” Matthew Allen, a.k.a. Nur-D, told Rolling Stone. The Twin Cities rapper tells the outlet he woke up ready to enjoy a “regular day.” However, after witnessing a flurry of social media posts online about the ongoing anti-ICE protests, Allen realized he needed to join his fellow Minnesotans. For the past few weeks, the organization has been violently occupying the city, leading to multiple raids, as well as the deaths of Renee Good and Alex Pretti. Allen, with his wife by his side, attended the protest; however, it didn’t take long for things to take a turn for the worse. Not long after arriving, Allen was chased, violently slammed to the ground, and maced by ICE agents. “My name is Matthew James Obadiah Allen,” he screamed, pinned to the ground, “I have done nothing at all….I’m a United States citizen.” MINNEAPOLIS, MINNESOTA – Matthew Allen, a.k.a. Nur-D, before he was violently detained by ICE agents (Photo by Brandon Bell/Getty Images) “This is real… You could die just for saying, ‘I don’t like this.’” Allen Says Allen, who was eventually released from detention, noted that while he feared for his life, he wasn’t going to “help” agents make the situation into something it wasn’t. He added, “This is grabbing someone in the street who has done nothing wrong and killing them, and if that’s what we’re doing — I’ve already seen you do it today — that’s why any of us are even here right now. Most of us would rather be doing what we love to do on a Saturday morning.” Speaking with CBS News Minnesota, Allen noted the ongoing tensions between residents and ICE agents have become “life or death.” He continues: “This is real… You could die just for saying, ‘I don’t like this.’” Allen, a longtime community organizer, says he went to the protest to “voice” his “hurt and pain,” and exercise his First Amendment right. I just don’t think it’s cool to kill people on the street.”

Snoop Dogg’s daughter Cori Broadus is breaking her silence after annoucing the passing of her 10-month-old daughter, Cori’s passing. On Saturday (Jan.31), Cori reshared a post to her Instagram Story of her and her daughter with the caption, “20 days later, I’m sick.” Not long ago, Cori opened up about battling HELLP syndrome during the latter end of her pregnancy. According to Cleveland Clinic, HELLP syndrome is a rare pregnancy complication with symptoms similar to those of preeclampsia, which can include belly pain, blurred vision, fatigue, or swelling. View this post on Instagram

Michael “5000” Watts has passed away at the age of 52, according to reports. Watts, a DJ and pioneer of Houston’s hip-hop scene, was the founder and president of Swishahouse alongside OG Ron C and G-Dash. In a statement released on Friday (Jan.30), Watts’ family confirmed the news of his death. “It is with profound sadness and heartbreak that we inform the public of our beloved Michael ‘5000’ Watts. On Jan. 30, 2026, Watts transitioned surrounded by loved ones,” the statement reads. “We truly appreciate the love shown to Michael throughout his career, and we ask for continued prayers as we navigate through this very hard journey.” Watts is survived by five children, two grandchildren, and his wife, Tammie. “His legacy and career started at the age of 14, and he continued his success as a business owner, DJ, radio personality, founder and owner of Swishahouse and pillar in the community,” the statement continues. Per the statement, a community event to honor his legacy is currently in the works, and details will be shared in the coming days via Watts’ social media pages. DJ Michael “5000” Watts of Swisha House and rapper Paul Wall (Paul Slayton) on the set of the “Sittin’ Sideways” music video in Houston, Texas on May 10, 2005. (Photo by Julia Beverly/Getty Images) “Watts Was More Than A Founder, He Was A Movement” OG Ron C spoke with ABC 13 Houston about Watts’ passing in a statement, noting that Watts was more than a founder; he was a “movement.” “As the creator of Swishahouse Records, he helped define the sound, spirit, and global influence of Houston hip-hop. From the streets of Houston to international stages, Watts expanded on Houston’s chopped and screwed legacy, transforming mixtape culture into a worldwide phenomenon and giving a platform to voices that would go on to shape an era,” the statement reads. Ron noted that Watts helped to introduce and elevate “countless” artists, DJs, and producers. He says Watts built a brand that “stood for authenticity, independence, and cultural pride.” The statement continued: “Swishahouse became synonymous with innovation, hustle, and community, producing legendary mixtapes, shaping radio culture, and influencing generations of artists across hip-hop and beyond. His work helped put Houston on the global music map and cemented the city’s place as a cornerstone of American music history.”

Actor Billy Porter didn’t mince words when asked his opinion on Nicki Minaj’s public support of Donald Trump. “F—k her,” said Porter (several times) while on the red carpet for the MusiCares’ 2026 Person of the Year Gala. Porter, who’d been speaking with Hollywood Unlocked, made it clear he’s not a fan of Nicki Minaj’s shift toward the far-right. “When people show you who they are the first time,” Porter says. “Believe them.” He then went on to shame Minaj, as well as the other celebrities who’ve been aligning themselves with Trump. “I’m out,” Porter says, implying that any support he had for Minaj has gone out the window. Billy Porter talking about Nicki Minaj “F* her.” pic.twitter.com/2zyPWsexxU — Blackish Press (@blackishpress) January 31, 2026

At 79, Grady Demond Wilson, who gained popularity for his role as Lamont on Sanford and Son, has passed away. TMZ spoke with Wilson’s son, who revealed that the actor was pronounced dead on Friday (Jan.30) at his home in Palm Springs, California. “I loved him. He was a great man,” he said. According to the outlet, Wilson passed away due to complications from cancer. However, there was no information given about what specific cancer Wilson had been diagnosed with. Sanford and Son was a popular 1970s NBC sitcom starring the late comedian Redd Foxx and Wilson, who professionally went by Demond. Foxx portrayed the loud-mouth patriarch, Fred G. Sanford, who was a widower and junk dealer, whereas Wilson played his soft-spoken, peacemaker son, Lamont Sanford. American actors Red Foxx (1922 – 1991) (left) Demond Wilson in a still from the television series, ‘Sanford And Son,’ c. 1974. (Photo by NBC Television/Courtesy of Getty Images) Wilson spent his early career as a broadway actor and trained dancer Wilson was born in 1946 in Valdosta, Georgia, but grew up in New York City, where he studied tap dance and ballet. He made his Broadway debut at only four years of age. By the age of 12, he was performing at Harlem’s Apollo Theater. As a young man, he pledged his service to the United States Army and served in Vietnam. After being wounded, he returned home, working on several Broadway and off-Broadway stage productions, before setting his sights on Hollywood. Following his role on Sanford and Son, Wilson starred in another sitcom, ABC’s The New Odd Couple. The show worked as an updated version of the iconic 70s series, The Odd Couple. Unlike its predecessor, however, this series primarily focused on an African-American cast. Wilson portrayed Oscar Madison, the easy-going, sloppy character, whereas Felix Unger, the uptight neatfreak, was portrayed by actor Ron Glass. However, the show would only last one season amid a Hollywood writers’ strike that was taking place at the time. Wilson would also land a small role on the big screen in the 1993 comedy-drama film Me and the Kid.

On a recent episode of Shannon Sharpe’s Club Shay Shay podcast, Kevin Gates opened up about the depths of his struggle with drug addiction, offering an unflinching look at his darkest moments. “I was so depressed, I just needed something to cope,” Gates admitted, recounting a 2020 episode of despair. “I shot myself in the head before; I got a bullet in my head. I didn’t want to live. Holding my baby, my child, tears coming down my face, knowing I was about to take myself out… Nobody’s going to miss me anyway. That’s how I felt. And that wasn’t that long ago.” Gates spoke candidly about the silent suffering that can accompany even moments of apparent stability. He explained that despite not using drugs at certain points, he felt immense pressure and emptiness, compounded by the demands of his career. His 2019 fitness journey, he revealed, was partly “a cry for help,” while a transformative trip to Puerto Rico later sparked a turning point in his path toward healing and self-renewal. Through his story, Gates hopes to encourage others facing similar struggles to speak out and seek support. The artist’s candid reflections illustrate the power of vulnerability and resilience, as he channels past pain into motivation for growth and creativity. Kevin Gates Sh*t Himself In The Head In 2020: “Crying for help.” “I was so depressed, I just needed something to cope. I didn’t want to live. Unc, I done sh*t myself in the head before, I got a bullet in my head Unc. I ain’t wanna live, I was f*cked up.”- @iamkevingates pic.twitter.com/2tS2XLYTjj — Club Shay Shay (@ClubShayShay) January 29, 2026 Personal Loss and Its Lasting Impact The conversation also turned to Gates’ personal life, particularly the loss of his father to AIDS. Gates expressed lingering regret over not being able to do more during his father’s illness. “That’s what led me to explore holistic medicine,” he said. “I spent a significant amount of time with him until he passed. He imparted numerous valuable lessons to me. If I could go back, I could have cured him. While I’m no Dr. Sebi, I’ve come to take health very seriously because of him.”

Nicki Minaj’s recent political activity has drawn sustained attention, placing her at the center of a broader conversation about celebrity influence and political expression. Her alignment with President Donald Trump has prompted sharp reactions across social media, cable news, and entertainment circles. While criticism has been widespread, the response has not been unanimous. Among those speaking publicly in her defense is fellow rapper Foxy Brown. Several high-profile figures, including Don Lemon, Chelsea Handler, Dr. Umar, and Uncle Luke, have questioned Minaj’s political direction, framing it as a notable shift from her past public positioning. The criticism has also exposed divisions among fans and observers, many of whom view celebrity political engagement through the lens of cultural responsibility. At the same time, a smaller group has emphasized the right to independent political views, regardless of public expectations. Brown’s response emerged within that context. In a social media exchange captured by Live Bitez, Foxy Brown reacted to an Instagram post praising Minaj’s stance with a direct endorsement. “FINALLY! INTELLIGENCE IS PARAMOUNT!” she wrote. The comment quickly drew criticism, with some users questioning Brown’s relevance and speculating about her motives. Others used the moment to revisit long-standing debates about loyalty and visibility in the music industry. View this post on Instagram Minaj’s Politics Stir Debate Online That backlash was met with its own resistance. Some commenters defended Brown’s right to express a political opinion without qualification. One user wrote, “People especially Black people think that all Black people have to be Democrats. Newsflash: we’re Americans and we can vote for whoever we want to vote for.” The exchange highlighted how political affiliation remains a sensitive and often polarizing topic within online discourse. For Minaj, the moment reflects a more visible engagement with conservative spaces. Her recent appearance at Turning Point USA’s AmFest marked a departure from her earlier avoidance of Republican-aligned events. She was later seen sharing a stage with Trump, where initiatives tied to investment programs for young Americans were discussed. The appearances drew attention less for policy detail than for their cultural significance. Minaj also revealed her Trump Gold Card, referencing an expedited citizenship process under EB-1 or EB-2 visa classifications. The disclosure added another layer to the public conversation surrounding her political activity. As reactions continue to unfold, the focus remains on how artists navigate political identity in public view. The discussion, shaped by both criticism and support, continues to evolve. Welp… pic.twitter.com/c5v8ztVVLR — Nicki Minaj (@NICKIMINAJ) January 28, 2026

Catherine O’Hara, the actor whose work helped shape modern screen comedy, died Friday at 71. Her death was confirmed by her manager to People. She passed away at home after a short illness, according to early reports cited by TMZ. Over a career spanning five decades, she became known for characters that were both fearless and finely observed. O’Hara’s performances balanced absurdity with emotional precision, earning her wide admiration across film and television. She received multiple major honors, including two Emmy Awards, a Golden Globe, and two Screen Actors Guild Awards. Her work continued to draw recognition late into her career, including Emmy nominations in recent years. Few performers moved as fluidly between satire and sincerity. Born in Canada in 1954, O’Hara emerged from Toronto’s Second City comedy scene, a proving ground that helped define a generation. That ensemble evolved into SCTV, where she gained national attention alongside performers who would become lifelong collaborators. In 1982, she earned an Emmy for her writing as the series expanded to American audiences. The show established her reputation as both a performer and a creative force. By the mid-1980s, O’Hara was appearing steadily in film, often stealing scenes in supporting roles. She worked with directors including Martin Scorsese in After Hours and Mike Nichols in Heartburn. Her portrayal of Delia Deetz in Tim Burton’s Beetlejuice made her a fixture in popular culture. She later reunited with Burton as a voice performer and returned to the franchise decades later. O’Hara reached a global audience as the frantic yet tender mother in Home Alone and its sequel. The role introduced her to a new generation of viewers and became a permanent part of holiday movie tradition. Her longtime friendship with Macaulay Culkin endured well beyond the films. He later shared a public tribute reflecting on their bond. From Home Alone to Schitt’s Creek, a Career Defined by Precision and Heart A frequent collaborator of Christopher Guest, O’Hara became central to a style of comedy that favored improvisation and restraint. Her performances in Waiting for Guffman and Best in Show were widely praised for their specificity. In the years that followed, she appeared in prestige television projects, including Curb Your Enthusiasm and Six Feet Under. She earned an Emmy nomination for her role in Temple Grandin. Her most celebrated late-career role arrived with Schitt’s Creek, which debuted in 2015. As Moira Rose, O’Hara created a character that was theatrical, brittle, and unexpectedly humane. The show found a broader audience after arriving on Netflix, eventually sweeping major awards. She won an Emmy in 2020 and a Golden Globe the following year. In recent years, O’Hara continued working steadily, appearing in Apple TV’s The Studio with Seth Rogen and in the second season of HBO’s The Last of Us. Both performances earned Emmy nominations. Her presence remained unmistakable, even in smaller roles. Colleagues frequently cited her precision and generosity as a scene partner. O’Hara married production designer Bo Welch in 1992 after meeting during Beetlejuice. They raised two sons, Matthew and Luke, and lived for many years in Los Angeles. In 2021, she was named the honorary mayor of her neighborhood. Speaking to USA Today in 2025, she joked about a career highlight, saying, “I brag to people that I’m doing a Super Bowl commercial.” Reflecting on her work, O’Hara once said, “It’s a beautiful gift to be able to laugh, and especially to laugh at yourself.” That sensibility defined her career. She brought rigor to comedy and warmth to satire, leaving behind a body of work that continues to shape how humor is written and performed. Her influence remains deeply felt across generations of film and television.